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Yesterday's Model:
How Zinio Takes Content Forward into the Past |
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5 January 2005 |
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A recent thirst for info on the latest
cars finally persuaded me to buy a magazine subscription
from Primedia via the
Zinio
electronic magazine reader. The chugging, oversimplistic
viewing engine that manages the commercial and tech details
seems no more likely to allow Primedia and others to catch
up with the wave of tech-savvy readers most in a position
to try the technology than Detroit was in its years of
ceding automotive market dominance to companies more adept
at blending art and science for consumers. Intelligently
engineered content objects are the wave of the future, but
molding them around technology centered on retro business
models is a sure-fire waste of time. |
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I am a car enthusiast from way
back, but a cheap one at that. Hardware depreciates, so getting
more than my money's worth out of any technology that doesn't bring in
money is appealing. In between my very long cycles of delayed
automotive gratification I live vicariously through car
magazines, flipped through at the grocery store or at the local
library as time permits. I do this much less lately, though, in
large part because much of the most cutting-edge information on
cars tends to be found in Web discussion groups and on Web
sites - though generally not magazine-sponsored Web sites.
Most magazines have kept their freshest and
most valued content offline, or online in diluted or delayed
form to minimize its value. But when an online forum poster
mentioned that their new February issue of Motor Trend had
arrived with fresh info on a model that I was interested in, my
motor madness compelled me to give their site a try.
Sure enough, Primedia's
Motor
Trend Web site did not have the information I was looking
for, but it did offer a subscription signup for the
Zinio-based
digital edition. Twelve electronic bucks later, I was looking
at the latest Zinio-based Motor Trend - the January edition,
not the hot-off-the-press February edition (newsstand currency
is promised). I am awaiting shipment of my new laptop PC, so in
the meantime my old portable chugged along laboriously to
simulate the experience of reading a magazine on a computer.
This had to have been one of the most dissatisfying content
consumption experiences I have ever encountered. The Zinio
reader has improved somewhat since its introduction, but
clearly it's meant for the most modern technology only and
still retains most of its weaknesses shared with eBook readers, offering neither the
best of online content consumption capabilities nor many of the
typical positive experiences of print-based publications
(simple bookmarks, anyone?). Yet dozens of magazines, mostly
business and technology oriented publications, have opted for
this rights-protected medium. What's wrong - and right - with
this picture? Here's a quick look at the pluses and minuses of Zinio-based content:
- Protecting the past does little to
guarantee the future. Zinio's model works conceptually in
that it creates useful rights-protected objects that can be
annotated and archived locally. Great stuff for executives on
the go who don't have time to grab a magazine at the airport
newsstand and for a handful of Tablet PC aficionados. But
with so much emphasis on maintaining print's presentation
and subscription paradigms and so little emphasis on extending
the power of electronic capabilities (annotated versions
cannot be shared with other people, as a simple example),
it's hard to imagine that Zinio's proprietary system is going
to attract the interest of developers who will be able to
extend the technology with complementary capabilities and
content that will add inherent value to the viewing
experience. Browsers are very "uncool" this year, mostly
because their extensive capabilities to enrich content
experiences via the widest range of content and technologies
available have begun to be taken for granted, but that
acceptance and flexibility has opened the door to maximum
content access and set high levels of expectations for
functionality amongst millions of content consumers. Given that it's
being aimed at content that appeals mostly to the most
technology-savvy readers, a handful of Tablet PC
analog-emulating features aren't likely to spread Zinio's
appeal very quickly to people still fond of paper
publications.
- Publishers yet again cede
aggregation power to technologists. One of the weirdest
aspects of the purchasing experience is that it shifted from
the Motor Trend Web site to a Zinio-branded ecommerce
experience. Visit the Zinio site and you see a stable of
magazines from various publishers available via the
technology, similar in sales concept to the
KeepMedia
stable of magazine archives. In other words, publishers are
onpassing key portions of the commercial and content delivery
relationship to a technology vendor. Magazine publishers seem
to be wedded to the "content is the water in the pipes" view
of publishing, believing that editorial and artistic design
prowess alone should be their focus. This makes about as
much sense as letting printing press manufacturers distribute
magazines. Mastering new technology is an inherent part of the publishing
process and the subscriber relationship, with more of it
available than ever before to savvy publishers with scale to
promote their wares. Premium content publishers need to focus
on using venues to cement their own value-add relationships
with individuals and institutions
- not to toss them to others for
value-add capabilities beyond their reach.
- Chasing high-end subscribers with
low-end prices could cause subscriber base problems.
While the near-free distribution of electronic content
certainly justifies much lower prices, it seems strange that
radically discounted content is being made available first
and foremost with a tool that is designed to appeal most to a
very limited group of affluent people. This is going to be
most problematic for consumer publications, which are likely
to experience continued rapid declines of print subscriptions
amongst economically-pressed middle class purchasers while
they become more enamored of other electronic delivery
options for content that work well with older technology. The
likely winners in the race for sustainable premium content
profits are those that embrace the most advanced and
universal formats for delivery to establish more profitable
relationships.
WSJ Online opted early on to extract as much as it could
for its premium online content via browsers, and established
a sustainable business model very quickly - without ceding
control of its enabling technology. Technology moves on, but
the basic formula doesn't.
In chasing the smallest subset of the
people least likely to adapt electronic content as their
primary online profit targets with technology that is least
adaptable to broad markets, magazine publishers are taking a
timid approach to online content monetization that's likely to
have similar repercussions to those being suffered by the music
industry. Building downloadable content objects that are most
friendly to future readers' expectations for use and reuse is
they key to sustainable profitability. Anything less than that
is putting chrome on yesterday's tired model - a formula that
our automotive friends in Detroit are struggling mightily to
undo.
-
John Blossom
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