 |
|
Insights and headlines from Shore analysts on trends in enterprise and media content markets.
|
|
|
| Monday, February 08, 2010 |

 Somewhere in the world today a printing press operation is preparing to go dark. Mind you, it's not a universal phenomenon; in markets such as India, where a burgeoning middle class is hungry for news and not yet equipped with an abundance of electronic media sources, print media is actually growing. Scholarly publishers are still doing well their premium journals and custom print for B2B and consumer markets is thriving. But in many developed media markets print operations are struggling to stay alive, with 2010 expected to be a year in which newsstands begin to display significantly fewer titles. Barnes and Noble, with its Nook ebook reader, offers free wireless in their stores as a bundled part of the service, trying to encourage both browsers and coffee-drinkers to make more use of their "big box" stores real estate. It's a Web-eat-paper world, and the publishing industry is wearing newsprint shorts.
Yet the broader picture of print is that print publishing technology has never been more sophisticated, cost-effective and capable. Many of the same technologies that enable the Web also enable printing presses to deliver mass-customized printing runs, allowing wholesale book distributors such as Ingram to deliver profitable print runs for titles with as few as two ordered units. Mass print customization also allows ever more effective tailored marketing materials, allowing highly customized color post cards, brochures and other high-value communications tools at very competitive prices. In short, print rocks, if you do the right things with it.
The wrong thing to do with print is to expect to do the same thing again and again and expect different results. That is, as many will tell you, the definition of insanity. Unfortunately, this is the insanity that grips much of the B2B and consumer publishing industry. I paid a short visit to the recent Professional Scholarly Publishing 2010 conference in Washington, DC, though far less time than the event deserved. I was encouraged by the American Institute of Physics winning a PROSE award for their work to advance scholarly publishing through its Web-enabled services. Yet at the same time I was confronted by a surprisingly young attendee who had a hard time getting his head around the definition of publishing that I had used in my book Content Nation, which embraces social media as a key form of publishing. He saw this concept as "too broad" a definition of publishing. In spite of many advances in electronic publishing, many people at the heart of the publishing industry still see the traditional business model and functions of publishing as the "real" publishing industry. You can see this attitude in many of the efforts to adopt electronic publishing platforms that enable content to look more like print publications, as if waiting for the Web to give up its "defects" in failing to adapt to their ways of doing business.
Well, certainly the Web is still a relatively young form of publishing technology, in spite of its rapid advances. But it is not the Web that has failed publishing: it is publishing that has failed publishing. It's only as red ink has flowed liberally in the past couple of years that many publishers have made the hard decisions to adjust their staffing levels to the revenues that they can expect in a Web-first world. There are simply far too may substitute information sources available to the average person that can be discovered via search and social media tools to justify the dedicated brand approach to publishing that most publishers use as their fundamental business premise. If "a brand is what a brand does," then most publishing brands just don't do what Web publishing outlets such as Google and Bing do. If that "doing" doesn't align with the classic "dos" of publishing but still satisfies markets, that doesn't mean that it's not publishing.
This brings us back to print, where, in spite of the capabilities of mass print customization, most publishers insist on creating print artifacts on a mass scale that are in essence the same. Yes, you get some zip code-level tailoring of ads, sometimes, and perhaps some regional content, but it still isn't dawning on most publishers that the real opportunities in print are in creating highly customized artifacts on a massive scale. These are still seen by most publishers as "ancillary revenues," much as they saw Web operations as a little bit of gravy on top of the meat of their print revenues. But now that Web revenues have to sustain them more as their meat in many instances, most publishers have failed to position their print operations as highly targeted and highly profitable value-add operations, Instead, they continue to seek out ever-slimmer markets for mass-produced print content, either resigning themselves to smaller audiences or seeking out larger audiences with ever-slimmer slices of least-common-denominator content that offers little long-term brand value either as a product or as a service.
The answer to this problem can be seen in a now-familiar model: Google. Instead of trying to assemble a portal of perfectly curated content for specific audiences to consume over an indefinite period of time, Google decided to focus on search as a tool to curate content tailored to specific people's needs at specific moments. Each search result is a publication, with its own editorial rules, tailored ads and features. It happens to be a publication assembled from any number of sources, selected based on the editorial recommendations of people using content on the Web, via Google's ever-changing PageRank algorithms.
The question is, why haven't publishers awoken to the opportunities to take a Google-like approach to print? Just as the advantages of search technologies are largely wasted on relatively small collections of content, so are the advantages of today's mass-customizable printing technologies wasted on relatively small collections of content collected by a particular publishing house. The Web exists, and will, in all likelihood, never cease to exist as a medium that reduces distribution costs and speeds to near-zero levels.
This means that print as a platform must adapt to Web economics to deliver optimal results. To do this, print media must adopt a Google-like model of source-agnostic content aggregation tuned to the needs of tiny and/or individual audiences. In other words, just as search engines have enabled people to aggregate content from anywhere that meets their needs, so must print media operations if they are to return high value. Some service, somewhere, will enable people to print any collection of content from whatever source in whatever form suits them best in whatever quantity suits them best.
Some might say that copyright concerns stand in the way of such an approach, that this would be the equivalent of enabling anyone to print up content willy-nilly. Not so. What really stands in the way of this happening is an antiquated sense of "this is what publishing does." If publishing in the classic sense is getting value from copyrighted content, then simply tune that classic model more effectively to the available channels. In this instance, that tuning would require a more flexible approach to content licensing. Today, content licensing is still largely a person-to-person effort, requiring business development specialists or marketing managers, legal departments, and days, weeks or months of process time required to enable one publisher to use another publisher's content, be it in print or electronic form. But if today's printing technologies have the ability to assemble content with Google-like agnosticism and speed in a way that's tailored to very specific needs, then it is content licensing, not copyright, that stands in the way of more effective print revenues.
Thinking of both existing licensing technologies from organizations such as Copyright Clearance Center and iCopyright as well as emerging technologies from organizations such as Journalism Online, we are likely on the verge of a new convergence of licensing and printing technologies that can revolutionize what appears in print. This does not mean that print as a whole will surge back as a primary profit center, though. In the long run, the time that it takes to spool out pages of print will never be a match for the Web's ability to spin out tailored text and multimedia content sets instantly and effortlessly. But it does mean that the wide availability of custom printing technologies and the wide availability of people with professional printing skills figuring out what to do next in the aftermath of the current print apocalypse is likely to fuel the Google-like print revolution of mass-customized print content delivery no matter what. The main question is whether it will be Google taking on that challenge on a large scale or someone else.
The other key question, though, is whether publishers are going to balk at the notion of massively automated content licensing for tailored publications. Given history and publishers' attachment to the notion of their brands being what they want them to be rather than what their audiences want them to be, it's likely that many will balk at the idea. In that period of balking, it's likely that widely available substitute sources of printable content will work their way into these opportunities - leaving established publishers as also-rans yet again, though this time in their native medium.
Publishers failed to optimize their operations for Google-like content searching in time to take advantage of the in-the-moment opportunities available to them, in part because they were afraid that it was a technology that was in conflict with their publications' Web sites. The same sort of tensions seem to exist with customized printing and typical print editorial operations - and the same opportunities await publishers that tackle them proactively with aggressive automated content licensing strategies.
High-value purchasing and advertising opportunities await those publishers that begin to take highly customized printing opportunities more aggressively. Just as Web revenues looked like a puny investment early on, so does custom publishing look more like a sideline than a main line of revenue to many publishers. But in a world in which Google has become the center stage of most of the world's content access, it is imperative that publishers look more seriously at how their print publishing models are affected directly by the same potential for agnostic content aggregation - and leverage them as rapidly as possible for high-margin revenues. Labels: aggregation, B2b media, consumer, Custom Printing, Google, media
|
|
By John Blossom - posted at 11:40 AM |
permanent link to this entry
bookmark this entry:
|
|
|
|
2 comments (click to view or to add your own)
|
| Wednesday, January 06, 2010 |

 When News Corporation took over Dow Jones two years ago, it was quick to move out key senior Dow Jones managers and move in its own team that had a vision for how to make the brand a profitable and thriving outlet for business news and information. At that time I said on ContentBlogger, "The opportunity is for News Corp to enable a more aggressive melding of enterprise and media services as the differences between today's business media outlets and today's enterprise portals begin to narrow." I also speculated at the time whether Dow Jones Enterprise Media head Clare Hart would stick around to become a player in this mix or move on, suggesting that at least for a time she was respected enough that it was worth her hanging in there.
Two years later, Clare Hart and her work for DJEM remains respected, but times have moved on, and, according to news reports, so has Clare as the enterprise media group at Dow Jones is being merged with their consumer media group. Dow Jones CFO Steven Daintith is taking over the Dow Jones COO role for now, an indication that a promotion into that role for Hart was not in the offing, so moving on seems like a good bet for her at this time. While some may read "glass ceiling" or "Murdoch loyalists" into this move, I think that it's more a matter of where companies like Newcorp need to bring business information services such as their Factiva property to gain more profitability. The direction for more profits from the licensed business media sources in Factiva's database is definitely towards the online media side of Dow Jones operations, a move that requires a different set of skills than those needed to make subscription business information database services successful in increasingly complex enterprise technology markets.
As I noted last October in ContentBlogger when the Wall Street Journal Pro Edition was launched, the rise of real-time Web news aggregation is accelerating the need for business media properties to become more effective news aggregators. At the time I noted that this would be a good move to make better use of Factiva assets in the Pro Edition framework, a move that seems far more likely to unfold now that the siloing of Factiva and other Dow Jones enterprise assets has been eliminated. Among those other assets that are more likely to emerge more aggressively in the new alignment is the Dow Jones Business & Relationship Intelligence group (formerly Generate), whose alerts-oriented mining of news sources will have a broader market to tap into via the Pro Edition platform. Thinking of Newscorp's push to gain more online revenues from paid content sources, these types of premium services are ripe for better integration into ad-supported Dow Jones content.
This is also, of course, a somewhat back-handed way to say that there really isn't much of a strategy available to Dow Jones to increase revenues simply by waving a wand over broader segments of its existing online content. That ship sailed many years ago, as the WSJ Online edition gradually moved towards a large portion of its content being available online without a subscription. Their hope lies in providing more value in their offerings to individuals who may not have access to large subscription databases and sophisticated alerts services in their companies or who have found access to such services harder to justify under central information budgets. Moving to make DJEM resources more available via their consumer and "prosumer" platforms is a natural bridging strategy into these needs that can set up broader enterprise sales strategies over time.
In the meantime, though, this move is somewhat of an admission that the subscription database business for business news is a dying business model. Factiva has been as aggressive as any other player in business information in adding features and integration capabilities to its offerings, but at the end of the day the value-add from such services is drifting away to enterprise technology players more quickly than Factiva or other enterprise news aggregators can counter with improved products and services. There are just too many enterprise platforms in which this type of content is needed, creating broad product and feature disintermediation. Harvesting structured information from unstructured news and information sources is one approach that many enterprise content vendors are taking to counter this trend, but this alone ultimately doesn't justify the typical subscription structure for news databases.
You can see where this consolidation of enterprise-oriented resources with consumer media resources at Dow Jones may spell problems in focusing on enterprise opportunities, but at the end of the day the software and the thousands of licensed content sources that Dow Jones pays for have to grow profits for them more quickly if they are to be worth the price. With enterprises increasingly reluctant to pay for licensed content that offers few or no advantages over Web-accessible content, the Web is the only probable point of strong growth for old-line news aggregators. This may not be a pretty transition for many Factiva staff, but it's one of those long-delayed and necessary moves that will at least set the stage for more robust growth in enterprise markets for Dow Jones in the long run - even if that growth comes from non-traditional channels. Labels: B2b media, Business Information, clare hart, consumer, Dow Jones, enterprise, Factiva, News Corp, NewsCorp, Wall Street Journal
|
|
By John Blossom - posted at 8:58 AM |
permanent link to this entry
bookmark this entry:
|
|
|
|
0 comments (click to view or to add your own)
|
| Friday, December 11, 2009 |

 In the process of selling off several of its core B2B entertainment industry titles, Nielsen Business Media also announced the eminent closing of Editor & Publisher, the century-plus old trade publication that had chronicled the ins and outs of the news industry. At a time at which magazine closings seem to be about as regular as train stops on a commuter line, E&P's demise is not exceptional in many ways. Any number of trade publications are struggling to survive in an era in which online media enables unlimited competition for the attention of its readership and for its advertisers' and subscribers' cash. But there is something particularly poignant about E&P's shuttering. After all, if an industry which insists that the quality of its content will be its distinguishing factor cannot support the high-quality journalism covering itself, then how can they expect others to do likewise for their own interests?
There are few people who can scream about canaries in coal mines and get away with it for long, and I am no exception to that rule. If you haven't figured out that most publishers are caught between highly skilled staffs oriented towards traditional publishing platforms and new platforms that can't deliver them decent salaries with room for both management's profits and platform reinvestment, then you must have been clipping your bond coupons on a tropical island. But that doesn't mean that publications like Editor & Publisher have to die. What it does mean, though, is that in some ways the publishing industry is returning to its roots of scrappy, independent publishing that may do better without the overhead of large, corporate parents.
This doesn't mean that news publications will always do best as independent outlets, but it does mean that publishers that are mean, lean and more focused on their markets than on hitting the train back to comfortable suburban homes are going to do just fine. The good news is that Web infrastructure is perfectly suited to such operations, most especially when publishers listen to their audiences and engage them effectively. An interesting an ironic example of this positioning is the recent rebirth of Conde Nast's former Portfolio.com Web site by American City Business Journals as a portal oriented towards the owners of small and medium businesses. With a platform that is well designed to slice and dice content and functionality for any number of focused local and topic-oriented markets, ACBL's no-nonsense approach to publishing is far more emblematic of what will succeed moving forward in profitable B2B and consumer media than the high-gloss world of major media companies.
The caveat to this approach, though, is that the scrappy publishers must push themselves to the extreme to take advantage of highly affordable publishing technologies to outpace major media companies in having audiences adopt their brands on the platforms that they prefer. This is to some degree why blog-oriented publishers such as TechCrunch and The Huffington Post have survived and thrived in online media. Having been handed the equivalent of a guerrilla fighter's AK-47 automatic rifle in today's affordable social media publishing technologies and deploying the tactics and strategies that they enable, lean and agile online-first publications and their technology partners have carved away a good portion of the meat of publishing's profits.
It's not as if the major media companies can out-tech these smaller rivals easily, either. The expense and useful life of proprietary content technology development is rarely beneficial to a publisher today. There are some exceptions to this rule on the very high end of content markets such as in financial securities trading and other specialized professional functions, but in general it's source-agnostic content technologies that have defined today's most successful publishing platforms. For general media markets, publishers have tried again and again to gain the upper hand through sponsoring source-specific content technologies that simply don't deliver all of the information and experiences that people expect now through source-agnostic technologies.
It's what you might call a prolonged mourning for the mass-production printing press era, the ability to define a marketplace through a technology that only traditional publishers could afford and master easily. Sorry, that train left the station a long time ago. By ceding their technological superiority to others, publishers sealed their fate years ago. If Compuserve had knocked the socks off of the Web in its ability to amaze and delight content audiences, it would still be around today. Consortium services like Hulu are trying to regain some of that high ground of technology, but as long as they fail to leverage all of the content that people find to be valuable based on the artificial divide of "it isn't real content," they will always fall short of audiences who know "real" when they see it.
In short, I do think that the closing of Editor & Publisher is a small but significant landmark in the history of publishing. It marks the point in the publishing industry's history when it admitted that it no longer really cared about its traditional strengths. Print publishing and the editorial disciplines that drove it are now officially legacies that will inform the future, but no longer define it. There will continue to be print products indefinitely, and highly customized print products are likely to be a growing marketplace for some time. But when an industry will no longer buy coverage of its own traditional operations, then it's time to admit that a chapter in that industry's history has been finished. I wish the very best of luck to the staff of Editor & Publisher, they have put out quality journalism in the face of enormous industry change. I hope that we will see E&P resurface in the near future as a web-first publication, perhaps with a focus on the future rather than on the past. Labels: B2b media, Custom Printing, editor and publisher, magazines, print, Publishing, Web
|
|
By John Blossom - posted at 8:42 AM |
permanent link to this entry
bookmark this entry:
|
|
|
|
2 comments (click to view or to add your own)
|
| Thursday, December 10, 2009 |

 While Mark Logic is far from the only game in town for cross-platform publishing technologies, its recent Digital Publishing Summit at the Plaza Hotel in New York City was a huge down payment on establishing itself as a thought leader that could merge the best of East Coast and West Coast thinking in enterprise and media content markets. As one would expect with a vendor-sponsored conference, the day was filled with "friendlies" who use and support Mark Logic and its XML-based databases, APIs and content delivery services. But it if you had to pick friends, CEO Dave Kellogg and staff picked some friends who had excellent examples of how cross-platform and cross-source publishing is "the new normal" that is helping to drive value in the publishing industry. The trick is, though, is that this new normal is filled with some ironies that the content industry is still struggling to absorb.
With a packed ballroom listening on (nothing like "free" as the price of admission for networking in this economy), Dave Kellogg opened with a lively video, followed by Outsell's David Worlock pointing out that user-oriented networked services, not pre-conceived publications, are the key to this "revolution" in publishing services. Yet at the same time his slides showed a pyramid of value-add content services from simple published documents to "workbenches" that seemed to be quite standard in its pre-conceived product flow. Databases are indeed key components in today's publishing environment, but as exemplified by Mark Logic's technologies, the database is now - that is, whatever a user needs it to be in the moment. Both enterprise and media oriented publishers are discovering that publishing cultures centered around traditional databases, be they for traditional editorial content, business data or multimedia, are not agile enough to respond to the demands of their markets. Richard Maggiotto, Founder, President & CEO of Zinio, highlighted similar ironies that print publishers face in confronting mobile markets. Zinio is moving beyond simple "page-flipping" technology for magazines on PCs and mobile devices to enable video-like animations of content, including ads, to draw magazine publishers into more appealing online presentations in their software. One demo that Richard flashed on the screen was for a $30,000 watch, paid for by a manufacturer that refused to produce Web ads. A beautiful ad, but the question becomes: how can you build a market based on a tiny sliver of people who are using iPhones but preferring magazine-like layouts of content? Building beautiful and engaging content is a plus for any audience, but no arbitrary container in today's online world is going to fence an audience in to your message for very long.
I had to take a phone call at this point, so I missed a good portion of a presentation by Chris Tse, Director of Information at BusinessWeek, who focused on their "BX" social media initiatives. Ironically, when I came back, Tse was explaining how social media content was harder to monetize than traditional editorial content, although he acknowledged that it would probably grow in its revenue impact over time. So even when you have good design, interactivity, repurposed content and social interaction, there's no guarantee that you'll have the systems in place to match revenue opportunities to your content - or have a sales force that knows how to sell it.
 Kent Anderson, Executive Director for Product Development at The New England Journal of Medicine, a leading Sci-Tech journals publisher, showed off a popular "diagnose the disease" quiz that they had ported over from their Web site to the iPhone, and, through Mark Logic's infrastructure, easily retooled for Google's Android and other mobile platforms. The growth of the app's use on iPhone was quite extraordinary, paralleling the growth of overall iPhone use. But when Kent was quizzed about the impact on overall subscription revenues in the Q&A, he expressed some optimism for future, non-free applications in mobile markets but didn't offer any indication of how the app helps to boost core journal subscription revenues. Certainly highly functional mobile apps can help to build a publisher's brand value through higher engagement, but there needs to be a clear conversion strategy devised to ensure that the engagement actually converts that brand value into revenues efficiently. Repurposing content in and of itself doesn't ensure those conversions, though it can help to define a much larger addressable marketplace. Shannon Holman, Director of Content Management for McGraw-Hill Higher Education and Lee Fife, VP of Publishing Solutions for Flatirons Solutions, put on an excellent demo of McGraw-Hill's Create online custom textbook creation application. Their development of Create was based on the assumption that they needed to empower their customers to design and customize their custom textbooks online, instead of relying on institutional sales forces. The Create application does an excellent job of fulfilling this mission, enabling its users to choose specific sections of books, insert personal course materials and papers and produce both PDFs and bound, custom-printed textbooks on demand with remarkable ease. This interactivity that allows clients to package content the way that they really need it packaged was probably the closest example of "the new normal" during the day's presentations. But even here, the very success of the Create application leaves McGraw-Hill's institutional salespeople scratching their heads somewhat. Better that in the long run, though, then becoming a captive of sales methods that may be out of date.
The final featured speaker of the day was Gordon Crovitz, former Publisher of The Wall Street Journal and a founder of Journalism Online, which is preparing to launch in 2010 an online content ecommerce service that will enable people to have one single sign-on for accessing premium content sources across the Web and mobile platforms. Crovitz outlined at a high level the range of use and pricing models that the Journalism Online platform will support, such as single-article micropayments, multi-article/time-based payments, bulk multi-publication subscriptions and print/online bundled subscriptions.
Interestingly, both the questions that came up from the audience afterwards and some discussion in the panel discussion following Crovitz' panel indicated that there was still a fair amount of resistance from some people in publishing to this concept - and not necessarily for the reasons that you might think. Some people were concerned about Journalism Online being a publisher-centric model, solving their own particular pricing problems but not necessarily solving problems for audiences. This is a reasonable point, one that highlights how publishers are to some degree still on a fishing expedition for successful online revenue models for premium online content that no technology alone can answer. Yet Crovitz emphasizes that premium's opportunities lie where people already believe in your content brand. In other words, premium plays well when you have a relationship with an audience that's already valued above the norm. You may, as Crovitz suggests, convert only a fraction of them, but if the relationship will support it, then demand it where the value suggests that it's worth it to them.
So what is "the new normal" in the era of repurposeable content? To put it succinctly, it's having content that's always ready to attain its highest value in audience-defined moments. Be it through search engines, self-published and self-packaged content, real-time collaboration or easily repurposed and relicensed data and editorial content, the companies that can chase those moments most effectively wins. Sometimes this means being able to aggregate content from any number of sources more rapidly and effectively than anyone else, based on your insights into audience demands. But often it means letting your content flow to where your audiences want to consume it and to be ready to know how to make money with it once it gets there. A multi-platform strategy for repurposed content is not simply slamming the same product into different packages.
Multi-platform publishing also requires the recognition that it's not about platforms at all - it's recognizing that your audience has to be the center of your publishing at all times - and to recognize that each platform and application may draw out a different audience persona from the same person. It's not enough to ask "What does your customer do ten minutes before and after they use your content." It's also necessary to ask your audiences, "who are you" in each platform environment. Your hardcore diagnostician may be all business on a PC, but be out for kicks or socialization on their iPhone - or vice versa. These types of variations only enhance the need for good content multipurposing infrastructure, even though that infrastructure will not guarantee that you'll be offering the content that they want most.
Mark Logic's Digital Publishing Summit probably raised more questions for publishers than it answered, but that's probably not a bad thing in a market in which publishers have very few clear-cut options for succeeding in content markets. It also left outside the doors of the ballroom the uncomfortable fact that many platforms are in use today that enable people to aggregate content on their own with minimal assistance from traditional publishers. You can have the best aggregation and monetization strategy in the world, but if your audiences are creating and aggregating more content than you can, then it's going to be an uphill battle for most any publisher. But within those constraints, Mark Logic is showing the way to a "new normal" for publishers in which matching any content to any audience demand is creating a much more flexible, responsive and audience-centric publishing industry.
Labels: aggregation, B2b media, BusinessWeek, BX, consumer, content, crovitz, databases, magazines, mark logic, mcgraw-hill, nejm, textbooks, xml, zinio
|
|
By John Blossom - posted at 5:06 PM |
permanent link to this entry
bookmark this entry:
|
|
|
|
7 comments (click to view or to add your own)
|
| Thursday, October 22, 2009 |

 I've been suggesting to my friends at Dow Jones for more than five years that they needed to consider how to use their Factiva content more aggressively on the Web as a source for virtual aggregation of news and business information. Well, five years isn't that long in enterprise content product cycles, I suppose, so when I tweeted the announcement by Dow Jones of its new Wall Street Journal Profession Edition yesterday morning, I was pleased to see that the WSJ had finally started to package licensed content from Dow Jones Factiva's news and business information database into an editorially-managed online edition. The WSJ Pro package will be strictly a premium offering, offered at first only to Dow Jones' enterprise customers starting in November, with wider availability expected next year.
In a loose sense you can think of WSJ Pro as a Huffington Post for business professionals, a mix of content developed by WSJ staff writers and six sections of sector-oriented business news and information culled by WSJ editors from Factiva's extensive database and Web search infrastructure. However, using the extensive search-based analysis tools that Factiva has amassed, WSJ Pro will also provide its subscribers with the ability to unearth trends from its content. With a year of archived Factiva licensed content available along with two years of WSJ archives, WSJ Pro subscribers will be getting access to both content and trend analysis from in-depth premium business information sources unavailable in on the Web in many instances. Other must-have features such as custom alerts for email and mobile devices are also included in the subscription package, which will cost USD 49 a month.
Some are labeling the WSJ Pro package as a shot across the bow at Bloomberg and Thomson Reuters, which is a shot not too far off the mark, given that for decades many financial services companies have been able to negotiate similar price points from major financial information services for people off their trading floors, who used them mostly for news retrieval and casual price quotes on securities. WSJ Pro is aimed largely at such people, who are very Web-centric already in their information retrieval habits and looking for something a little more professional-grade. The trading arena itself uses more machine-executed trades and the remaining people on trading desks using very sophisticated analysis packages, so there are fewer people who can use the high-grade financial information products developed by companies like Bloomberg and Thomson Reuters. It makes sense, then, to focus on average professionals accessing better-than-the-Web information about business and finance who are willing to use a ad/subscription-supported prosumer product like WSJ Pro.
This move is also, of course, a way to counter some of the stagnation that Factiva faces in large-scale enterprise subscriptions. With central information budgets facing cutbacks in many of the enterprises targeted by Factiva and other major business information providers, using a more media-oriented model for delivering business information to specific individuals who are willing to pay for it offers Factiva a way to slide its content over into a new sales profile that can weather central budget cutbacks by appealing more to individuals who may be willing to carry a personal subscription to their products from other budget sources - perhaps even from their own pockets. Pioneering Web business information providers such as Hoover's have established the viability of this type of media/subscription model for years, so there's no reason to think that it won't succeed for Dow Jones as well.
So as much as professionals who already use Bloomberg and Thomson Reuters services may be targets for WSJ Pro, clearly a broader range of enterprise business information users may find the package to be appealing. The "prosumer" segment of business information is likely to be one of the fastest growing segments for business information use in the years ahead, as central information budgets recover slowly from the effects of the economic downturn while more aggressive executives in need of support for decision-making decide to up their personal investments in business information to close their knowledge gaps.
You can quibble a bit about the pricing, perhaps, which is not high compared to WSJ print packages but at a non-bulk price still a little high compared to some premium business information services, but no doubt WSJ has done their homework on this and is likely to meet their revenue goals with their "prosumer" WSJ Pro package. I have little doubt that this package will be a strong success - if but because both Bloomberg and Thomson Reuters are now scrambling to come up with business news assets that can help them to broaden their own offerings. When you get the incumbents moving quickly, you must be doing something right. Labels: B2b media, Bloomberg, Business Information, Dow Jones, enterprise, Factiva, News, prosumer, thomson reuters, Wall Street Journal, WSJ Pro
|
|
By John Blossom - posted at 1:37 PM |
permanent link to this entry
bookmark this entry:
|
|
|
|
3 comments (click to view or to add your own)
|
| Monday, August 31, 2009 |

 At first it might appear as if some people in the magazine industry are in dire need of searching for their sanity when you first read FOLIO:'s article on a spate of new magazine launches in recent weeks. Certainly print media has its fair share of die-hards, and, well, when it's what you do well and you want to keep doing it, it's not likely that you're going to stop any time soon. But as much as there's that never-say-die strain to print media these days, there's also a lot of sense to many of the efforts that are being undertaken these days to launch new print titles.
For one thing, you'll notice that the list of magazines being launched includes a strong mix of private-labeled publications for stores, enthusiast organizations and other types of very focused market niches with loyal followings and a strong desire for relevant content. These are the kinds of niches in which print media has done very well historically and also the types of publications where captive audiences are going to appeal to many advertisers and marketers. It may be less expensive to advertise online, but when you own the audience for a particular niche anyway, why not capture the value for advertisers as effectively as possible? When you're involved deeply with a very focused topic or geography, print offers a way to get very personal with an audience that still appeals to many audiences and advertisers.
But as much as new titles such as these are valiant efforts to help marketers still looking for value in their advertising budgets, there is a larger and more nagging problem that is hanging over both consumer and B2B magazines that's just not going away; namely, why are magazine publishers still so intent on maintaining gross revenues to support ultimately unsustainable cost structures? Yes, there are good reasons to demand higher revenues for quality online content, be it through higher ad rates or various subscription and pay-as-you-go plans for readers, and these are likely to start taking off as advertisers chase their audiences into online venues more aggressively. Premium outlets will continue to thrive online indefinitely if they manage the mix of content and community features effectively. But the broader truth is that the era of big media founded on high revenues from a handful of titles is largely drawing to a close. This doesn't mean that media is dying; to the contrary, media is thriving more than ever before, even as it thrived before the past several decades of media consolidation. But what it does mean is that success will be measured by different standards moving forward.
I was struck particularly by an entry posted recently in Howard Owens' blog that underscored the importance of accepting different cost structures for media moving forward. Howard notes: It wasn't until late 2007 that a switch tripped in my head and I realized I needed to flip the expense/revenue picture upside down. Instead of thinking about how to generate more cash, I needed to figure out how to create a news operation that could exist profitably based on a reasonable expectation for local online revenue.
In a market where the newspaper newsroom might cost $10 million, I knew how to make $1 million online, or even $2 million, but I didn't know -- and still don't -- how to make $10 million.
So if I can make a million online, why do I need operate a $10 million newsroom, especially given the greater efficiencies of online publishing?
In other words, while it's great to get that ten million if you know how to do it, why are publishers still so intent on launching a handful of publications that might make big revenues the old way then they can launch far easily many smaller publications online that can succeed in smaller increments very effectively? While it's not a perfect analogy for every publishing operation, I am thinking particularly of portals such as TechTarget, which is able to define and publish very discreet slices of content for very specific computer technology topics that it pays for by selling qualified leads to tech marketers. The very targeted special topic sections that The Huffington Post and other publishers are able to create rapidly and efficiently are also good examples of how online technologies can allow publishers to adapt rapidly to hot interests far more effectively than the usual "book"-oriented mentality would allow.
At the same time, many of the people who advertisers are seeking are spending more and more time with the people with whom they share common interests in social media outlets such as Facebook and brand-specific online communities managed via white-label services such as Lithium Technologies. Good editorial content will always be a draw for advertisers, but increasingly it's an extension of a core online market conversation that's managed via platforms other than news and magazine portals. The recent addition of a Facebook Connect-enabled discussion community on The Huffington Post underscores the importance of editorial content having tight connections to the personal networks that people trust to underscore their willingness to trust sources of editorial content. The fundamentals of marketing are changing before our eyes, yet media companies still whistle in the dark in search of dated metrics while opportunities to invest in the success of future metrics remain underfunded.
In this sense it's fortunate that Reed Elsevier has dared to float a GBP 824 million stock placement to gain more capital in spite of its short term effect on its share prices. If publishers should double-down on anything, it should be on raising capital to reinvest in the innovations and new business models that will sustain them well into the future. The Web has, by fiat, declared publishing to be a innovation-driven growth industry for more than a decade, even while major publishers have tried to maintain the illusion that it's still an IP-driven cash cow industry. Lower share prices from dilution may seem like a painful decision in the short run, but if publishers don't have the working capital to keep up with mean, lean operations that have invested in innovative approaches to publishing already, then they won't have much in general very shortly. For those who tried to leverage their way into a mythical king-of-the-hill media mogul position in the marketplace, well, sorry, timing is everything, they say. In the meantime, congratulations for those folks who have managed to float new print titles for very focused markets. It works for today, at least. Labels: B2b media, magazines, online, print
|
|
By John Blossom - posted at 10:13 PM |
permanent link to this entry
bookmark this entry:
|
|
|
|
3 comments (click to view or to add your own)
|
| Friday, June 19, 2009 |

 In the beginning, there was the CPM - that enduring measurement of how many thousands of people were exposed to an advertisement as a benchmark for gauging its value. But with the rise of online advertising, CPM impression measurements began to compete with metrics such as Cost Per Click, the number of people who actually used a link on an ad to visit an advertiser's Web site. Here at last was a metric that proved that online advertising really worked - even though relatively few people actually clicked on these ads.
CPMs were great for advertisers, in that they could be assured that their money spent on ads had a measurable result that they could use to negotiate ad rates that corresponded with revenues in some meaningful way. CPMs still figured in to ad budgets, but it was hard to gauge the real effect of online ad impressions compared to leadgen-like CPC results (cut to frowns on faces of ad agency teams everywhere).
Enter the Online Publishers Association, which has released a new research study conducted by comScore of how consumers respond to online display advertising from 80 major brand campaigns running on 200 major media sites. The study measured the behavior of consumers after having been exposed to online display ads when searching for a brand trademark, traffic improvements on their Web sites and the amount of ecommerce. An OPA slide deck available at Silicon Valley Insider depcits some of the key stats from this study.
The results of the study are quite rosy: about 18 percent of the surveyed consumers searched on the advertised brand within a month period, 29 percent visited the Web sites for those brands, they spent 55 percent more time on pages at that site, clicked on 51 percent more pages and spent more on ecommerce options when available. The overall ecommerce increase was about 7 percent, spanning sectors such as autos and finance as well as others, but when looking at consumer packaged goods the uptick in ecommerce attributed to display ads was 14 percent, with consumer electronics increasing 22 percent (Cue broad smiles at ad agencies everywhere).
Clearly this is good news for media companies looking to transition from print revenues gained from impression-based brand advertising to online markets, as well as for advertisers (and, of course, for comScore, which can sell more research of this kind). Advertising benefits from "hang time" with eyeballs, not always correlating to those nifty eye-movement-scanning human factors tests which imply that nobody's paying attention to ads. The peripheral vision of humans picks up and processes far more than we may imagine, it would seem. The problem, though, is that it's not only ads in major media outlets that are claiming a benefit from this effect - and the comScore research is not the only game in town.
It turns out that Google has also been looking at the value of ad impressions relating to its own content and advertising. As related in B-to-B Online by Sam Sebastian, director of local and B2B markets at Google, a study for General Electric conducted by Enquiro, a B2B search engine marketing firm, revealed that contextual text-based ads appearing in search results also had a positive effect on brand recall. In other words, there is more than one way to skin the brand cat - and many outlets for advertisers to consider.
Moreover, as Google's own research indicated, 64 percent of C-level executives from Forbes 500 companies surveyed in their own research were using search at least six times a day themselves to locate business information. So not only is the potential for commerce to be gained from ad impressions not the exclusive domain of traditional media outlets, but it appears that many of the prime decision-makers with budgets are turning to search engines first oftentimes to get the impressions of products and services that they need. The presumption that print is a medium for the elites that many brands seek out as opinion-makers is still valid, but breaking down rapidly.
While the Google and Enquiro research doesn't refute the comScore study, it's a reminder that there are many contexts that advertisers need to think about how to convey brand value - including social media outlets and other venues beyond search engines and publishers' portals. All of this research seems to point out that advertising for brand value still matters in online outlets, even though its payback is challenged by new methodologies. Social media in particular offers a very high ratio on payback in brand investment, even though it does not provide in many instances the mass-scale impact that traditional advertising campaigns deliver.
One interesting example of the power of social media for brand marketers told by David Binkowski, Director of Word of Mouth Marketing at MS&L Worldwide, at a recent meeting of the Social Media Club in New York City, underscored the point that return on investment can still be very different in online venues even when brand impressions count. Binkowski relayed how the manufacturers of the heartburn medication Prilosec had spent big on an advertising campaign to give away tickets for a Super Bowl game one year, but then tried using social media and other Web outlets the next year for their ticket giveaway, spending about one tenth as much in the process. Interestingly, the net results from these two campaigns were about the same. So while everyone can feel good about impression-based advertising working in both traditional and new online outlets, advertising alone is no longer the only game in town for contextualizing brands online.
The good news in all of this, though, is that brands can survive and thrive online when they are using the right tools and putting down their chips appropriately. Traditional media is certainly a big part of that mix, but it's not the only game in town any more. A good page of search results that solves a very focused problem for someone can be a valuable opportunity for a brand to claim some space as a part of that solution. This has to temper enthusiasm for the OPA study somewhat as a tool to increase CPMs based on the value of impressions, but the ability of services such as comScore to quantify ROI on impression-based online advertising may help to give ad agencies a boost in their efforts to benefit more broadly from the switch to digital outlets for marketing.
The ROI value of social media as a tool for brand building is powerful in theory, but the metrics on its performance are still a work in progress and not yet accepted widely in marketing circles. This can be expected to change fairly rapidly, as underscored by a presentation by Josh Chasin, Chief Research Officer for comScore, at that same Social Media Club meeting. With services such as comScore beginning to put the finger on the pulse of cross-platform consumer behavior, marketers are entering a period in which the mysteries of unlocking ROI from online promotions and advertising are unfolding rapidly. Any way you look at it, there's a lot more "stickiness" for brands online than we may have thought previously - and a lot more reasons for marketers to push the limits of what can be done with brand marketing in online environments that much harder. Labels: advertising, B2b media, comscore, consumers, display, enquiro, First Research, Google, media, opa, Social Media, Social Media Club
|
|
By John Blossom - posted at 10:41 AM |
permanent link to this entry
bookmark this entry:
|
|
|
|
3 comments (click to view or to add your own)
|
| Monday, May 04, 2009 |

 When Gordon Crovitz left Dow Jones several months ago, I knew that his experiences in helping to build the most successful premium online news brand would be likely to result in good things somewhere. Gordon’s insights into the value of traditional journalism and his online savvy are an unusual combination in the world of today’s content industry. So it was with some interest that I have been learning about Journalism Online, a new initiative captained by Crovitz, content industry veteran Steven Brill and former cable industry CEO Leo Hindery. In a detailed press release – more of a mini-business plan, actually – the Journalism Online (JOI) team has outlined a multi-pronged strategy to enable traditional journalism to reap new revenue streams from online sources. As many of the elements of the JOI plan are in sync with what Shore has been advocating for many years to promote the health of premium content sales (I briefed Crovitz on the concepts of The New Aggregation about five years ago), I would be contradicting myself to say that his team’s plan doesn’t hold water. In fact, much of what Journalism Online advocates is sorely needed in the news industry and will be likely to offer professional journalists a chance to benefit from more sensible online business models in tune with how content is actually distributed and consumed online. However, there are some troubling aspects in both the details and the broad brush of this plan that should be considered carefully by publishers as they weigh its merits. The first concept in the Journalism Online plan is really a no-brainer and long, long overdue. JOI would set up an online system that would enable anyone to sign up once for access to premium news content across the Web. Payment models via this system would vary, and would include subscriptions for individual premium publications, pay-per-view access and royalty-driven payments in a cross-source subscription model. This would enable any publisher participating in Journalism Online to share in common payment and billing infrastructure that would make a wide variety of premium business models possible. While JOI does not target mobile and television markets explicitly, clearly this is a system whose basic cross-source payment model based on open Web access can be easily extended to other content delivery networks. So far, so good, most especially on the cross-source royalty model. In essence the Web is a broadcast medium that enables people to tune into multiple streams very easily, so tuning premium content delivery into a payment model more like radio’s royalty payment system for music producers is a strong plus. When specific content becomes very popular online, the spike in views of that content can result in direct revenues to its producers. In theory this helps to resolve the ongoing dilemma of having to expose content to search engines that’s monetized with ads that just don’t seem to take advantage of oftentimes brief spurts of interest in news items to the point of paying the bills for many publishers. If the QPass cross-platform payment system of ten years ago had not flopped by trying to control content distribution via their service we’d have had this type of payment management service in place years ago. The next leg of Journalism Online’s plan is a little more shaky. JOI has put under its wings two of the most prominent legal talents in the U.S. – former Microsoft anti-trust attorney David Boies and former U.S. Solicitor General Ted Olson – to lead some strong-arm negotiations with search engines and online aggregators to pony up licensing and royalty fees for the right to link to JOI member content. While one has to respect the considerable judicial, political and corporate gravitas of these two legal heavies, I am concerned that their efforts seem to be misplaced. There is now a substantial body of law which makes it clear that indexing a link to a headline is not a crime and falls comfortably into the concept of fair use of copyrighted content. By the logic outlined in Journalism Online's stated focus they should be suing newsstands in cities across the world for exposing the headlines of newspapers to people walking by, or charging millions of dollars for copies of the venerable Periodicals Index on library reference shelves. I believe that this tactic is in large part a sop to news publishers who have been relying thus far on the Associated Press’ failing negotiations with Google and other search engines based on similar issues. Strong-arm legal tactics for search engine licensing are also largely unnecessary, in large part, if the JOI system works as it ought to. Access policies could be enforced on all participating publisher sites, and terms of bulk access licensing could be managed for search engines and other corporate entities from the same system that services consumers. It’s more likely that the JOI legal team is a stick for the carrot of negotiating some meaningful price points for bulk indexing access – price points that are likely to disappoint many publishers, since the search engines know that news ad revenues would die without search engine links. What’s more promising is having legal and technology infrastructure in place that could facilitate bulk relicensing of content for reuse in new content aggregation schemes such as online mashups and in enterprise software applications. The most concerning aspect of Journalism Online, though, is the sense that their team harbors a dogged determination to preserve the status quo at traditional news media outlets in the face of more than a decade of change fostered by online access to news. The following quote from Brill seems to set the tone for much of what JOI is trying to accomplish: “We’re also convinced,” Brill added, “that readers, who have been paying billions of dollars a year for print journalism, will continue to support journalists by paying a modest, fair price for original, independent, professional work distributed online. They realize—as we do—that quality journalism is a vital component of a functioning democracy and free market.” While I would agree that many people are willing to pay a premium for high-quality products and services, the implication in Brill’s statement is that they are out to support the journalists creating the news in a way that will sustain the traditions of print journalism. Given that many journalists caught up in newspaper cutbacks now have to accept wages that are getting closer to those offered for low-level services jobs while many media executives continue to do rather well by themselves, I think that it’s fair to say that the merits of the print journalism model's ability to support journalists are largely at question. This sales pitch for Journalism Online is not so much about preserving journalists as it is about preserving some portion of the lavish profits once enjoyed by a news publishing industry that no longer has near-exclusive access to publishing technologies. A “modest, fair price” doesn’t sound like the type of monies that will support glitzy skyscrapers that were paid for by those technologies. Promises and realiteis seem to be out of sync in this instance by a broad stretch. In sum the Journalism Online initiative holds out a great deal of promise for the news media to revise its thinking on how to acquire revenues more realistically in an online environment, albeit with some sentimental froth around the edges of that promise for those not quite ready to accept the true value of news in today’s online publishing environment. In a world that has empowered over 1.6 billion people as publishers, it’s no longer realistic to think that only a handful of people who carry the official title of “journalist” are defining the supply of quality information and insights in the world. The key factor that Journalism Online really doesn’t address at all is that the news industry is surrounded by valuable sources of information that leave them struggling to define a fundamental value proposition, regardless of how it may be financed. News organizations are also surrounded by technology platforms that make it possible for consumers and enterprises to aggregate, filter and analyze news far more efficiently than via their own publishing platforms. The “let’s tame Google” approach to trying to control content linking and access belies the reality that the contexts in which news is most valuable are increasingly far away from publishers’ own Web sites. There's some tacit acknowledgment of this concept in the JOI positioning, but only time will tell if they can emphasize licensing of content for reuse efficiently enough to make a real difference for news producers who must compete with and complement new sources of engaging news and information. The search for subscription and royalty payments fostered by Journalism Online also tends to gloss over the ad-driven culture of most of today’s news organizations that restricts fairly radically what topics and personalities gain their attention in their search for an increasingly limited “truth.” If JOI could help fund a broader approach to journalism that gave coverage to less ad-worthy topics, then truly it would be living up to its ideals. It’s far from clear, though, that the news organizations that Journalism Online intends to support are likely to maximize the funding of such “news for the sake of news” journalism any time soon, though. But as an alternative to AP’s trenchant response to online publishing, it at least offers some hope for the news industry as a whole as a means to overcome some of the challenges posed to it by online content distribution capabilities. The concepts behind Journalism Online may yet succeed in helping the news industry to secure more revenues from online publishing, but it is already a far different industry than the one that used to be dominated by the organizations which JOI is approaching to use their services, an industry which needs to support independent journalism far more effectively and which benefits from content being aggregated in any number of venues. In the meantime, technology and services providers such as Sonoa Systems and Zuora offer their own broad approaches to content distribution and monetization that offer a broad array of publishers their own alternatives to the ads-only monetization game. It’s about time that industry veterans like Brill, Crovitz and Hindery got up the gumption to try an initiative like Journalism Online to shake the news industry out of its doldrums. Hopefully they will not run out of time to convert existing news organizations to the use of their proposed sevices before their potential revenue streams have drifted towards newer sources of journalism for good. ![Reblog this post [with Zemanta]](http://img.zemanta.com/reblog_b.png?x-id=a45fa221-3d06-452e-886b-79cef157bfe0) Labels: B2b media, brill, crovitz, Google, hindery, Journalism, journalism online, Licensing, media, Monetization, News, Newspaper, royalties, search engines, subscription
|
|
By John Blossom - posted at 7:03 AM |
permanent link to this entry
bookmark this entry:
|
|
|
|
11 comments (click to view or to add your own)
|
| Thursday, January 29, 2009 |

 I enjoyed this year's SIIA Information Industry Summit and Previews events very much; there were great presentations and great discussions throughout the two-plus days in New York. However, I was a bit disturbed by some of the gossip I heard percolating in the background about the successes of Congressional Quarterly that were highlighted by CQ's president and editor-in-chief Robert Merry in his panel presentation. Under Merry CQ went from being one of many challenged niche Washington print publications into a highly successful for-profit online subscription service with a healthy array of complementary of online and print publications. The undercurrent at the conference was along the lines of "Well, that's easy for him to say, he works for a non-profit." Sorry, folks, while the non-profit Poynter Institute owns CQ as well as The St. Petersburg Times via parent umbrella Times Publishing Co., Merry has had to work towards a profit component as much as any other publication. Such critiques are especially ironic given the announcement that TPC is now looking to sell CQ in order to raise cash that will allow its beleaguered St. Pete Times to stay afloat. Politico has a particularly meaty take on the proposed sale, with lots of insider quotes. The bottom line of this deal is fairly simple: CQ is a valuable asset, will sell as soon as there's money available to buy it and is the baby being thrown out to rescue the soiled bathwater that is today's consumer newspapers. It is akin to The New York Times' recent decision to lease out real estate from its new building to raise operating cash for its newspaper, but unlike the NYT, TPC has decided that it's better to hang on to a dying publication and to let go a publication that's done its homework on how to survive in a very tough market niche. At least TPC is making an honest attempt to try to figure out a working business model for newspapers in a post-print era. By contrast, The New York Times went to print with an op-ed piece by David Swensen and Michael Schmidt which claims that today's news organizations should be subsidized as non-profit organizations. The op-ed piece lays out the facts of the news industry's woes objectively enough, but then it adds this nugget: By endowing our most valued sources of news we would free them from the strictures of an obsolete business model and offer them a permanent place in society, like that of America’s colleges and universities. Endowments would transform newspapers into unshakable fixtures of American life, with greater stability and enhanced independence that would allow them to serve the public good more effectively. Perhaps with bailout fever in the air news organizations are feeling that they should join the Washington gravy train and try to get a permanent government subsidy. If so, this would be both extremely ironic and highly unlikely, given Washington's relentless cutbacks on public radio and television outlets, which have lost the lion's share of their government subsidization and which do not have the extensive international correspondent networks that Swensen and Schmidt claim are in need of subsidization. From crowing about "cash cow" profits to going hat in hand to governmental organizations seems to be an unlikely transition for most major media companies, especially given their recent tendency to play high stakes M&A games on highly leveraged dealmaking at the expense of staff and product development. In one sense the concept of endowing consumer news journalism is a sound one; we should be making it easier for good news to be collected in a way that puts less profit pressure on news organizations. The truth of the matter, though, is that this is happening anyway. In addition to some news organizations teaching people in local markets how to help them in collecting news, the marketplace is encouaging startups that are filling the gaps left behind from the media industry's dilution of news coverage. Emma Heald notes at Editorsweblog.org the progress of VoiceofSanDiego.org, an investigative journalism startup funded by contributions from the greater San Diego, California community and from the Knight Foundation. VoSD.org has the flexibility to produce investigative journalism without the pressure of advertising, but that's not the only solution to filling in the revenue gap required to produce important news. More partisan outlets such as The Raw Story have periodic fund drives to help close the gap between modest online ad revenues and what it takes to field journalists who are willing to pursue commercially unpalatable news. So although it is romantic to think that news organizations that have tried to be blue-chip stock plays can become well-disciplined investigative news organizations at the wave of an endowment wand, the reality is that there is a new generation of investigative news being produced both by professionals and citizen-journalists independent of those media companies. News will survive and thrive in the online world, to borrow from the title of Content Nation, but not necessarily in the hands of organizations that are the product of the era of mass production. Much of it will be produced for free or for the purposes of people who choose to support it either through endowments for through their good will in producing it. But news will continue to be produced for a profit - if its producers can understand that the content industry is entering the post-industrial era. Mass production still has value, but the most value in the publishing marketplace is in the mass-production of highly contextual information and experiences. The key to the survival of publishing is to focus on monetizing the contexts, not the "things." In some ways the consumer news industry understands this in their improved focus on search engine optimization, contextual ads, better content engagement and better integration of content generated by its communities. But at the heart of the gap between yesterday's more robust revenues and today's more meager online revenues is a failure to monetize contexts efficiently. Some of that gap can be closed by a standardized approach to micropayments, but in large part the proliferation of news on many topics from online sources and independent aggregators of news links means that there will always be fewer contexts that traditional news organizations can monetize. So yes, get those endowments if you can find them, but don't expect that you'll support the same kind of news organization with them. All of this brings us back to Bob Merry's great historical insights on the news industry. He noted at the SIIA Information Industry Summit that prior to the rise of today's "objective" news gathering organizations in the industrial 19th century there was a robust array of smaller and more partisan news organizations from which people could pick and choose insights on the topics of the day. In this fray, few news rooms would claim to have the "objective" view of the truth: people would have to assemble that on their own through studying the sources and discussing them with others. In Merry's view the industrialization of news to produce a standardized consumer commodity was a relatively brief phenomenon in its long-term history. In other words, perhaps what we are seeing in the news industry is not its undoing but rather its re-doing into its more native form. CQ can expect to find an eager buyer soon enough, and the consumer news industry as a whole will turn into whatever free markets want it to be soon enough as well. I do believe that it would be a mistake to subsidize today's news organizations as they have existed in recent decades. This would be as large a mistake as countries that have subsidized other inefficient industries in the past. Instead, we need to continue to ask the question of major consumer news publishers, "Which part of the word 'change' is it that do you not understand?" Let's endow new business models for consumer news such as new approaches to micropayments and community-supported news generation methods that serve people as they want to be served. The rest will take care of itself soon enough. In the meantime, the successes of CQ underscores the point that a good publication in a good niche will always have a fighting chance. And in any business it really is all about the fight, after all - isn't it? Labels: B2b media, congressional quarterly, Deals Partnerships and Sales, newspapers, Robert Merry, subscription, washington
|
|
By John Blossom - posted at 12:36 PM |
permanent link to this entry
bookmark this entry:
|
|
|
|
6 comments (click to view or to add your own)
|
| Wednesday, May 14, 2008 |

 In years past one could visit the head office of Bloomberg, L.P. and peer into the newsroom right off of the main lobby. Mike Bloomberg's office was right off of that news floor, with a glass partition that segregated him about as much as a head of an investment bank trading floor is separated from his or her operations. This was a natural for someone whose career took off in the trading rooms of Merrill Lynch driven by traders responding to real-time news events, but it also underscored the importance to Bloomberg of making authoritative market-moving news a key component of its success. Times change, and now Bloomberg has announced the appointment of Time Inc. and Wall Street Journal veteran Norm Pearlstine as their first Chief Content Officer, a move that one presumes will enable Bloomberg to leverage its news and data assets more effectively in rapidly changing professional and consumer business news markets. Certainly this will help Bloomberg to move its revenue base more heavily away from professional markets, where its ubiquitous content displays are encountering fewer seats in an increasingly automated and specialized securities trading industry. As I've noted for several years the financial information industry, like many enterprise content sectors, is moving away from a "bell curve" market model, in which lots of money is made off of many people equipped with subscription content delivery, to a "U"-shaped market model, in which lots of money is made off of highly automated content services and highly analytical services for a small cadre of decision-makers, with your typical "seat" revenues being realized more profitably through a media model where delivery has been commoditized as a benefit. Bloomberg has been relatively slow to respond to these changes, sticking to its highly profitable professional products but only recently beginning to up investment in its media brand audiences. That's a challenging formula for growth given the continuing evolution of both Thomson Reuters and Dow Jones in supporting media markets more aggressively. Bloomberg 's online operations have grown audence significantly in the past year, almost doubling its online portal audience, but still trails Reuters and Dow Jones significantly for global markets. Thomson Reuters reported 18 percent quarter-on-quarter growth in its media sales in its first combined reports, an indication of how its global presence in online news markets has helped to fuel profits. So while Bloomberg's online, television and licensed content is strong, there is room for growth, especially in overseas markets. But undoubtedly the increasingly sophisticated presence of Dow Jones has to loom large in Bloomberg's radar as much as the newly combined forces of Thomson Reuters. News Corp has managed this acquisition very wisely so far, retaining an online subscription base that both Thomson Reuters and Bloomberg lack while beefing up its Enterprise Media Group with its Generate acquisition. As these kinds of products that create professional value out of media sources begin to be adopted to Dow Jones' online media offerings Bloomberg will be challenged to devise both more powerful media offerings and a subscription community willing to pay for them. This will be at least as tricky as building a global content brand out of its existing news operations. The real challenge for Bloomberg is to respond to both new opportunities for media revenues and new challenges to high-end content analytics and real-time sales intelligence services in its core markets from newly strengthened players such as Dow Jones. Pearlstine brings a deep and impressive legacy in the content industry to Bloomberg, but more importantly he brings an outlook on the media business which recognizes that the days of a handful of news monopolies dominating news gathering and dissemination are drawing to a close. To succeed with an electronic news brand one must not only excel at traditional journalism but as well one must excel in making news valuable in whatever context an audience finds it to be valuable. While it's not clear that Pearlstine's insider view of the media industry will lead Bloomberg to new successes in adapting to this more contextual view of the content marketplace he is likely to help open doors for Bloomberg to build out a more competitive brand for both online markets and for print markets seeking out new sources of editorial content. Labels: B2b media, Bloomberg, financial information, media, News, Norm Pearlstine
|
|
By John Blossom - posted at 10:49 AM |
permanent link to this entry
bookmark this entry:
|
|
|
|
1 comments (click to view or to add your own)
|
| Thursday, March 06, 2008 |

 The ABM Digital Velocity event had a typically insightful array of B2B trade publishing specialists talking about the block-and-tackle world of helping print publishing brands become electronic more effectively. There was also the usual frustrating mix of people who really "get it" seeded into a general industry outlook for B2B publishing which may be looking for better answers but which oftentimes has a hard time framing the right questions. One good example of this problem can be seen in the realm of video production for B2B publications. The panel focusing on this topic acknowledged that video was important but to them the cost of getting telegenic people and high-level production standards expected for professionally produced videos was not worth the expense. Yet a corporate marketer on the same panel was pointing out how they had whipped up some nifty promotional footage on their industrial products that was getting some good play when they uploaded it to YouTube. It sure sounded to me like these were two ships passing in the night - one assuming that their job was to produce all of the content that a marketer needed and the marketer saying that what they really needed was context. Yet when I suggested to the panel that perhaps B2B publishers could help marketers place their corporate video footage on their sites for a fee this was shrugged off quickly as a suggestion of "advertorials." I'm trying to be charitable here, since there is a good amount of use in B2B publishing of user-contributed videos, but have these people ever looked at their Google search results and seen that little column off to the right labeled "Sponsored Links?" Has it occurred to these people that audiences understand the difference between sponsored content and unsponsored content and now are open to having clearly labeled mixes of these available on a Web page? It would seem that corporate video is an ideal way for publishers and marketers to solve a mutual problem. The publishers see the production of video footage as distracting them from their core editorial function (which is, as I understand it, telling a story the best way possible, but we'll leave that one alone for now). The corporate marketers spend lots of money producing such video and are learning how to make them both informative and appealing. Instead of spending money on old-fashioned "creative" for ads that sell brands the old-fashioned way why not let marketers allow their prospects to step inside their brands via topic-oriented videos embedded in B2B sites? Instead of trying to flag down people with an instant's worth of attention via advertising have them hang around with your brand inside the topical video in the same space in which you'd normally put an ad - and, of course, pay the B2B publisher for that right. There are certainly services such as TheNewsMarket that are already flush with corporate video and which could with just a little imagination be combined with a contextual ad network service such as ContextWeb to make it easy for this footage to be monetized in spots where normally ads would run. Alternatively, of course, publishers' ad sales forces could offer better deals to marketers for premium placements and special creative to enhance its ability to provide sales leads. B2B publishers are moving far more rapidly to put the right technology in place to be successful in online publishing but more than ever they are butting up against long-established job functions and business roles that need to be rethought dramatically. It's not just a matter of combining online and digital sales forces or going digital-first in your content production. It's also about understanding that the nature of your pie that your trying to slice online is fundamentally different and changing rapidly. As B2B marketers succeed increasingly in creating their own valuable content and using "prosumer" channels such as search engines and YouTube to reach those audiences traditional B2B publishers have to accept that the essential nature of their editorial function has changed irrevocably. These publishers have to look to their marketing clients for contextual content as well as brand messaging if the more conversational nature of online publishing is to reap its full rewards under their umbrellas. Similarly they have to become more adept at enabling both their own content and content from marketing partners to be contextualized elsewhere on the Web. I saw a number of very hopeful signs at the Digital Velocity event which tell me that B2B publishers are investing in digital publishing more aggressively but their fundamental issue remains rethinking what their industry is really about. Just plain missing the opportunity to make good use of corporate video seems to be one important example of this disconnect. These companies have the resources to invest in change but in a marketplace in which publishing brands are becoming far less focused on the "mystique" of established titles and more on how they help people get things done new opportunties seem to be arising that will allow new players to engage B2B publishing as a market sector more effectively. If established B2B publishers aren't willing to rethink their pie then others will certainly be very glad to reslice it for them. Labels: ABM, B2b media, Digital Velocity, thenewsmarket, video
|
|
By John Blossom - posted at 3:00 PM |
permanent link to this entry
bookmark this entry:
|
|
|
|
0 comments (click to view or to add your own)
|
| Wednesday, March 05, 2008 |

 When I arrived at the the ABM Digital Velocity event Tom Cintorino, SVP for Digital Media for PennWell Corporation was chairing a panel on revenues at the ABM Digital Velocity conference, which focused on how to drive revenues in the digital era. The key factor that struck me in listening to this panel was that the margins found in online B2B media - approaching 85 percent in some instances - are becoming a very attractive incentive for publishers to sell online ads and services far more aggressively. Yet while Tom put out a hypothetical 1/3-1/3-1/3 ideal for a current revenue mix between print, digital and events few in the audience raised their hands to say that they were anywhere near that mix today. So although publishers are moving rapidly to push online revenues and starting to combine print and online sales forces aggressively the traditional dominance and allure of print for B2B publishers has hardly disappeared. Yet I heard a lot of hopeful trends from the panelists and people in the audience which indicate just how much velocity towards digital services is entering B2B trade publishing: - One publisher talked about how they were in an interesting quandary - they had to change their sales incentives plan for selling print advertising because the sales force was focusing so much on online sales. It may be kind of ironic to be having to subsidize flagship print titles to keep sales foces interested in them but it's really about leaving no money on the table - publishers can't afford to have advertisers say "Well, you're our online strategy, we'll use your competitor for ptint." That leaves to big a door open for competitors to expand from their print base into online sales later. So print will be a decreasing revenue stream but one which publishers simply don't want to let go of as a strategic investment for some time to come.
- One person in the audience noted how in construction services print titles are still very important to architects who still need and appreciate the high quality of graphic presentation that print affords them - and that appeals to their clients. However, when it comes to finding suppliers and solving specific problems in their trade they go online aggressively. So even where print services the lifestyles of specific audiences in specific modes, online is the focus for advertising and marketing that captureds people in a mode that advertisers will value highly - and that provide concrete and detailed metrics of campaign performance.
- Sales lead generation is becoming a key strategy for B2B publishers, so much so that one panelist noted that that sometimes they will have to tell potential clients that their ad campaigns really won't work on their platforms. The good news for those marketers though is that the ability of online B2B publishing to return great sales leads is proven and strong - a campaign that returns 300 leads for high-end B2B products may result in around ten percent of these suspects being converted into prospects.
- Converting print sales forces can be challenging: looking at the third-third-third revenue mix suggested by Tom is also a roadmap as to how many in traditional sales forces might not be able to make the leap to online sales. But publishers were offering stories of veteran salespeople who they thought would never be able to make the leap into online sales working off of laptops on wireless connections doing online presentations. Thinking of many of the great veterans from the early days of financial trading technologies who had to make the leap from "ticker" sales to sophisticated system sales it's a hard transition to manage for many. But in industries where relationships are built up over many years these transitions may be needed at times to ensure stability at major accounts while still enabling more online sales. Nevertheless, one of the major pain points for publishers is to realize that they are not in business to keep a sales force but to solve their clients' needs.
- This panel highlighted that one of the problems in making the transition to online sales is to recognize that it's no longer a brand sale as much as it is a product sale. Marketers are looking for vehicles that produce results: it's no longer as ephemeral as the appeal of a print title that is based on many intangibles and relatively few advantages in the product platform itself. This is very hard for publishers raised on the mystique of print brands to accept. The product is now not just what's on the editorial side of the wall.
- This need for looking at publications as products was highlighted also in the next panel on new technologies, where eMedia consultant Mitch Rouda highlighted the need for traditional publishers to embrace a concept that's familiar to many other industies and still somewhat foreign to them: product management. Who is to fulfill that role today in publishing? Editors to some degree, perhaps, but whatever the solution the "throw it over the wall" solution to technology hasn't worked for digital native publications for a long time and print publications are struggling on this cultural divide.
- A B2B and Media Business indicated that investment in print for B2B publishers was expected to decrease for 45 percent of respondents in the 2008-2009 time frame, with just a handful expecting an increase. A marketer's panel pointed out that this isn't automatically mean that marketers are getting what they want for online: they're less interested in CPM and other online concepts than they are in lead generation. Increases in online investment, though, are still fairly conservative according to the B2B survey, with increases of 10 percent expected. Granted that's a good chunk, but with the open-ended investments being pursued by private equity players in online-only publishing one wonders if it's really going to make enough.
The gaps are closing between what B2B publishers need to do and what they are actually doing to build stronger revenues from online media. But it's safe to say that many publishers have a legacy of old methods and outlooks that are still having a hard time making the transition to a more client-oriented and market-oriented approach to publishing product developmtn. In the final panel of the day the questoin was raised about how marketers could place an industrial video in an online publication and provide a new form of content and community just didn't register with this crowd. The discussion shifted rather rapidly to how to manage print sales. I am more hopeful than ever that major publishers will be able to thrive through this transition but the small to medium portfolios of trade magazines who may have a harder time reinventing sales, technology, events management and editorial staffs all at once are certainly at risk in this transition. Here's hoping everyone gets their digital velocity souped up as soon as possible. You may have "ink in your blood" but it's time to start breathing the same air that your marketing and advertising clients need to breathe. Labels: ABM, B2b media, Digital Velocity, events, revenues
|
|
By John Blossom - posted at 10:44 AM |
permanent link to this entry
bookmark this entry:
|
|
|
|
1 comments (click to view or to add your own)
|
To top of page  |
|
|
|
 |
|